From the Dark Woods — A Halloween Flash Fiction Story (Tales to Terrify First Runner-Up, 2025)

Last fall, I entered Tales to Terrify’s Halloween Micro Flash Contest with a 238-word piece called From the Dark Woods. It placed as first runner-up, and the podcast version aired October 31, 2025 — you can listen to it here.

I’m posting the text version below for the readers who’ve asked, and for anyone who finds their way to it later. The story sits in the same emotional territory as my collection Before the Hunger: Blood, Salt, Dust  – confession, ritual, the things small towns and small groups do to themselves on the wrong night of the year.

Read it slowly. In the dark. Feel the wind. Don’t look away.

From the Dark Woods, a micro fiction by Jared Ray Conger

From the Dark Woods

“Father, I need you to listen. Not pray. Not bless. Just listen.

It comes from the dark, dark woods. My sister told me it only stirs around Halloween, when the veil is thin and the woods remember what they’re owed.

So I brought them. Molly, Cade, Lex.
We wore the masks.
Lit the candles.
Said its name three times, just like the story said to do.

It was supposed to be a joke. A dare. But something answered.

We heard it under the bridge.
Scraping. Breathing.
It had horns, Father. Long, curved, wet with something indescribable.
Its shoulders cracked when it moved.
Its claws dragged something heavy through the leaves.

Molly ran first. The scream didn’t sound like hers.

Cade said it was a trick. Then he wasn’t speaking anymore.

Lex tried to pray. But it hates prayers. 

It wants our silence. Our guilt. Our secrets. 

I hid. Not well. Just enough to watch it drag their bodies into the creek. One by one. Beneath the bridge like offerings until they were gone and it was silent once more.

It didn’t speak, didn’t turn to look at me. But I know it saw me.

And I know what it’s waiting for.

You should tell someone. Burn the bridge. Salt the ground. Make the masks mean something again.

Because next year? Next year it won’t let me go.”

“It will come for you, child,” he answered. “It always does.”


“From the Dark Woods” was first runner-up in Tales to Terrify’s 2025 Halloween Micro Flash Contest and aired October 31, 2025. The audio version is available on the Tales to Terrify podcast (episode 718).

If this story landed for you, my first collection, Before the Hunger: Blood, Salt, Dustis available in print from Lulu — five longer pieces in the same vein. A second collection is in progress.

Jared Ray Conger writes horror fiction and longform place-based nonfiction from Salt Lake City. More work at jaredrayconger.com.

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The Early History of Parley’s Hollow

When I was a kid in the late-80s, we used to wander down into the gully long before it became Parleys Historical Park, long before the dog park and the cleaned-up hollow people know now. Back then it felt rougher, stranger, completely isolated from the rest of the city. There were tar pits. Forts built from trash by older kids, drifters, whoever had passed through before us. The creek pulled toward the freeway, and when the runoff was right, we would dam up the tube with discarded plywood and debris and ride the wave behind it when it was time to break it, shooting the tube was legendary. 

But the place that really got under everybody’s skin was Bloody Mary’s Cave. Later, after we heard a more official version of the lore, we started calling it Crazy Mary’s Cave . It did not look like much. Just a hole in the side of a dirt hill, barely big enough to crawl into. But if you were brave enough to bring a flashlight, the dark would open up and the old rock walls of a wine cellar would be revealed. 

Naturally, it was a space filled with ghost stories, devil worship, and other tall tales kids pass around  to make a place become cinematic. Maybe there were some truths mixed into all of it. Potentially none.

Then, during one of the early cleanup phases in the gully, they unearthed more of the cellar and put a gate over the front. That was when the story shifted. The place stopped being just a dare. It started to evoke imagination about how the place may have looked. 

And what it had actually been ran deeper than any of the stories we told in the dark.

The Early History of Parley’s Hollow

Long before it was a dog park, before the freeways carved it up, before houses climbed the rim and softened the edges, Parley’s Hollow was a corridor people always had to move through. The Ute knew it as Obekokechee, or The Big Canyon. Parley’s Creek came down out of the Wasatch here, cold and constant, the largest stream flowing from the mountains into the valley. 

In 1850, Parley P. Pratt looked at this ground and saw a way through. Emigration Canyon was the kind of route that wore people and animals down before they ever reached the valley floor. Pratt believed this passage could be made easier, so he spent thousands of his own dollars cutting what became known as the Golden Pass Road. It crossed the creek sixteen times on its descent, rough and rocky in places, but still more forgiving than what many travelers had endured before. He established a tollhouse near the creek and officially opened the road on July 4, 1850. Wagons, soldiers, merchants, gold seekers, and later Overland Stage traffic all came through here.

Then Joseph Dudler came in and crafted something more permanent into the hillside. Around 1864, the carpenter turned brewer settled into the hollow and built his home there: part house, part inn, part working stop for people moving in and out of the canyon. Upstairs held rooms to rent, along with a kitchen and dining space. As business grew, he added more. In 1870 he built a brewery behind the inn and cut deeper into the slope, creating the rock-walled wine cellar that still remains. No machinery. No shortcuts. Just labor, stone, and the slow grind of building something by hand into the side of the earth.

Dudler’s operation did not stop with the hollow. He sold beer there, later ran the Philadelphia Brewery Saloon in downtown Salt Lake City, and expanded into Park City as well. The inn at Parley’s was also known as Dudler’s Summer Resort and Dudler’s Saloon. 

This hollow saw a constant stream of people. Travelers on the road. Rail passengers later on. Freight. Coal. Skiers headed toward Park City. It was a crossroads before it became a park.

Dudler died in October 1897, but the place did not go quiet after that. His family remained. His daughter, Loretta Elizabeth Dudler Schaer, was born in the house and stayed tied to the property long after the old hollow began changing around her. She was known for her musical ability. Though, over time, she became the kind of woman a neighborhood folds into rumor when loneliness, grief, and cruelty start mixing together. After a series of personal tragedies, including the death of her first child, her relationship with the surrounding community soured. Teenagers and locals harassed her. They called her the Witch of Parley’s Hollow. They called her Crazy Mary. 

Then came the fire. On the night of October 17, 1952, vandals set the old homestead ablaze. Nearly ninety years of hand-built history went up in smoke. The house was lost. The cellar was not. Its thick stone walls held fast. Even after the burn, even after cleanup crews came through, the cellar endured while the rest of the hollow kept being carved up, rerouted, industrialized, and eventually reshaped into parkland. 

That is what still sits there now, half-hidden off the trail. Not just an old cellar. The remains of an inn, a brewery, a saloon, a travel corridor, and a life that the neighborhood eventually turned into folklore. Long before dog walkers and trail signs, this hollow was work, water, dust, rumor, vice, and survival. Some days, if the light hits it right, it still feels that way.

-Jared Ray Conger, former Canyon Rim resident

Sources

About the writer: Jared Ray Conger is a Salt Lake City writer specializing in place-based history, dark fiction, and longform essay work. His short story collection Before the Hunger: Blood, Salt, Dust is available from Lulu. He’s available for editorial commissions, magazine features, and bespoke historical writing — contact.

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Mid Spring Writing Update

I’ve been head down writing for the past few months.

Projects tightening. Contests opening. New ideas showing up at the wrong hours. Dreams that don’t leave when morning hits. All of it working at once.

First things first.

The new short story collection is close. Very close.

There’s one story I’ve been moving around, testing placement, seeing how it shifts the weight of the whole. I think it’s finally where it needs to be. Next step is editing—both creative and technical—followed by a round of beta readers to sharpen the edges.

If you’re ever interested in reading at a beta level, feel free to reach out.

I also submitted work to Nightmare Magazine.

One of those pieces is a longer story I keep coming back to. It’s tied to a micro fiction that placed with Tales to Terrify last Halloween. If it doesn’t land there, it will find its way into this collection—or stand on its own later.

I entered a piece into Elegant Literature as well.

That one leans heavily on dialogue. I’ve been pushing that part of my writing more—letting conversation carry tension instead of leaning on description. It works. Or at least, it feels like it’s getting closer.

If it doesn’t get picked up, I’ll expand it. There’s more in those characters than I gave them room for.

Most recently, I entered Writing Battle’s Verdant Owl contest.

It’s a 2,500-word sprint built from random prompts over the course of a week. Fast, focused, a little chaotic. The community there is sharp. Active. Worth staying around for.

I may enter another round.

Or I may not.

There’s always that tension. Enter more contests or finish the collection. You already know the answer.

So what’s next.

If any of these pieces gain traction, I’ll start looking at publishers. Maybe an agent. That path is there, even if it’s still a few steps out.

Until then, the work stays the same.

Write. Refine. Push the next piece further than the last.

I can feel another level coming. Not finished yet. But close enough to see.

Postscript:
Oh my god, I had forgotten to mention I submitted a Novel Beginning to Pro Writing Aid – First 5000 words of your novel in the works. I pulled one of my really old ones out of the folder. Dusted it off. Rewrote it. I love this story a lot. Now, it has legs that are sprinting forward. The other night I woke up with ideas on my characters and story arc and could not sleep until I wrote them down. Hell yes. A Communion of Whispers… is all I will say for now.

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Final Voyage of the Ada Mae

Gulf of Mexico, 1896

The Ada Mae rocked in the black chop thirty miles off Galveston, her lanterns swinging like hanged men, smearing golden rays across the gulf. The storm that had taken the Paloma had burned out three days prior, but the gulf still heaved with its ghost. Oil slicks shimmered across the waves. Driftwood clunked against the hull. 

Williams sat rigid on the bench, encased in heavy canvas, lead boots already bolted to the platform. His fingers, already numb from the salt air, curled and uncurled as the crew worked around him. They handled the lines with dead rhythm. Not reverent. Not curious. Just tired men who’d done this too many times to bother wondering if today would be the dive that killed someone.

Beside him sat the helmet. Brass, glass, and weeping shadows. It looked more of a coffin than a tool. Something of an old god with blinded eyes.

The captain crouched low, one hand on Williams’ shoulder. 

“Oil slick’s how we found her. That and deck scraps washing ashore. Current’s mild, wreck’ll be sitting seventy, maybe eighty feet. Drop down the shot line, sweep east, find the hull. Midships break, cargo spilled from there.”

Williams barely nodded. He wasn’t listening to the captain.

His eyes were on the man who wasn’t crew.

The one in the fine coat with the fine boots, standing just outside the light. He’d boarded at dawn with a carpetbag and an odd little smile. No one asked his business. No one used his name.

They called him Harland.

Harland stepped into the lantern glow now, the scent of cloves and iron clinging to him like rot. “Ignore the safe. The dead. The logbook. We need one thing. A crate made of black cedar, inlaid gold, four by three. Locked. Not as heavy as you’d expect. You find it, you signal twice. We haul it.”

He leaned closer. “Don’t open it. Don’t linger.”

Williams met his gaze. “And if I don’t find it?”

Harland smiled without warmth. “You keep looking. You were paid to persist.”

The wind gusted then, sharp as a thrown nail. Somewhere beyond the stern, a fin creased the surface before vanishing into the dark. The pumpman spat into the sea.

“Water’s gone sour since the storm,” he muttered. “You smell that?”

Nobody answered.

They rose around Williams like mourners and tightened the helmet down. Checked seals. Tapped valves. The air hissed into the suit, cold and stale. The world narrowed to brass and breath.

Harland’s voice came through the helmet, muffled and final; fogging the glass: “The box comes up. No questions. Understood?” 

Williams gave the signal.

Then he stepped backward off the platform.

And the gulf took him as it had been waiting to do all along. 

The world sealed around him in green-black weight. The hiss of the hose coiled in his ears, steady as a dying breath. Metal and old oil thickened the air inside the helmet. Damp leather clung at his throat. 

At forty feet, sunlight broke into tatters, drifting like torn silk through the void. The deep pushed in from all sides, a slow crushing that dared him to panic. He didn’t. He remembered how. Inhale. Exhale. Count to four. Don’t think. Don’t remember.

But memories always came.

The kid from Mobile, his valve jammed. They said his lungs tore open before they even saw the signal. The Greek diver who vanished when his tether fouled in wreckage. Found days later, kneeling in the sand, hands folded like prayer. Williams had heard all the stories. Carried them like talismans. 

Pressure tightened against his ears, a deep, growing ache. The gauge on his breastplate shivered. He flexed his gloved fingers. Deliberate. Slow. His hose and air line twisted around his shoulder like tenuous veins, reaching back to a world that might already have forgotten him.

The deep darkened, shapes fading into hints. Then his boots struck the bottom. Silt rose and bloomed all around him. He crouched low, steadying. Visibility was ten feet if he was lucky. His lamp cut through it, flashing off the scales of quick-moving fish, silver and gone.

A shadow swept past his flank. He froze. Felt for the slack behind him. Checked the air. Just jacks, probably, disturbed by the smell of iron and death. Still, his pulse throbbed. He listened for the pump, one-two, still there.

He thought of Sarah.

Always did, down deep. Ten years dead. Fever took her while he was chasing someone else’s wreck, someone else’s gold. He’d missed the last breath. She’d had hair like sunlight on brass. He saw it sometimes in the flicker of sea-scatter. Her voice lived in the quiet places. It was easier, mostly, to keep her locked behind the pump’s thrum.

Something rose in the murk ahead: the Paloma.

It lay canted hard to starboard, a cliff face of torn planks and oxidized iron, rising from the gloom like a broken altar. Its masts jutted like spears, black and barnacled, stabbing into the silt-thick abyss. The hull was torn open, steel peeled back in long curls that resembled curved ribs and rusted teeth. 

Williams trudged closer, each step sinking him deeper into the sea’s graveyard. The sea pressed colder here. Sediment coiled around his boots again, thick and reaching. His air hose slithered behind in slow, dragging coils; his only tether to the world above, waiting to pull him back.

Somewhere in this wreck was Harland’s box.

He could feel it already. There was a pull, low and mean, like something in the sand had opened its eyes. And knew his name.

He stopped at the midship’s break, one hand on a splintered spar. He exhaled and let the stale air rattle. He reached for a crossbeam and found it slick, stubborn. His glove slipped, catching itself again. The suit fought him, heavy with water and wear. He grunted, planted a boot against the hull’s split seam, and hauled himself upward.

Then, a snag. A tug at the wrist. A subtle tear. Canvas surrendering with a sound he felt more than heard.

A kiss of wetness, sharp and cold, crept in.

Not yet a breach.  Just a warning.

He cursed under his breath and pressed onward, dragging himself onto the slanted deck.

Silence met him. No groan of timber. No shriek of metal. Just the faint thump of the pump and his heartbeat.

His lamp caught seaweed drifting through the hold, threads of green glowing faint before dissolving. A whisper of movement rippled through the wreck’s belly pushing him slightly with intention. It curled through a shattered doorway and was gone.

Williams watched it vanish. He swore it had a shape.

He checked the line. Still there. Still drawing air.

The cold traced his wrist again. A single bead, slow and certain. 

“Just the ship,” he muttered. “Just the job.”

He pushed through the splintered threshold into the cargo hold. Ink closed around him, it was thicker, alive maybe. His beam cut only the soft drift of debris falling from above like ash.

Then he saw them.

Specks of phosphorescence.

Suspended in the current. Firefly-glow, pulsing faint. These weren’t bubbles… they didn’t rise. They hovered. Waited.

He crouched, knees creaking against the pressure. The suit groaned. His own breath rasped loud inside the helmet. The air gauge held steady. Hose pulsing. Real. Still real.

But the glimmers drifted closer.

He touched the leak at his wrist; it felt more personal now.

“Pressure playing tricks,” he whispered, and the words died inside the dome of brass.

Ahead, in the pit where the manifest said the strongboxes lay, something darker waited.

He moved toward it. One step. Then another.

His touch guided him now with one gloved hand trailing the bulkhead. The lamp had turned traitor, its beam useless in the churn. Every step stirred more mud and memory, clouds of decay that clung to the suit.

His boots ground over the wreck’s bones. A smattering of loose cargo, shattered glass about the ribbed ghosts of collapsed beams. The hold had imploded on itself, with its walls bowed in. Outlines flickered in the murk: a tilted table, a rope fossilized in salt, a crate half-eaten by rot. 

He thought, “They told me where to look. Not why the damn ship was there to begin with.”

Then there was a shimmer. Small. Precise. Like the wink of a coin flicking in the sun.

He turned the lamp.

Gold.

There it was. Black cedar. Gilded corners. Etchings that pulsed faint and alien. The vessel sat beneath a broken spar, waiting to be found.

Williams reached. The gold leaf seemed to quiver with a flicker of reflected luster. It died the moment his glove brushed wood.

“Got you,” he muttered, voice flat and distant in the helmet.

He heaved it free. Harland hadn’t lied, it was light, too light. Maybe because it had already been emptied.

Turning to go, his boot snagged on a length of old rigging. He staggered, caught himself.

The leak at his wrist stung now with a cold run speeding up. He flexed his hand and felt the saltwater sliding across his palm.

Not enough to kill. Not yet. But it was climbing.

He wanted to be topside when they hauled it. Where there was warmth. Where men still breathed and voices mattered.

The climb out of the hold was all effort. He pulled himself hand over hand up the canted deck rail. The suit dragged, the leak a creeping itch along his forearm now.

His boots planted. He stood.

That was when the Paloma suddenly moaned.

A sound like shifting bedrock. The world buckled.

The deck rolled beneath him.

For a heartbeat, Williams floated. Then the floor came back hard and struck him, his ribs thudded. The lamp blinked out. The line went limp.

Silence. Silt curled around him, thick as smoke.

The crate lay just beyond reach, half-buried in muck, its lid yawning open.

Something pale drifted out. Slow. Fabric-like, or a tendril, or a hand. Then it slipped away into the ribs of the wreck.

He pushed himself upright, legs unsteady under the suit’s drag. Cold water sloshed at his calves, heavy and hungry, the leak climbing higher with every drag of air he managed.

The drift settled around him until he couldn’t tell which way was up. Then the lamp flickered, caught, and steadied.

The Paloma no longer loomed beside him. It hung above, a skeletal leviathan balanced on a cliff edge twenty feet overhead. He’d fallen into a hollow of black stone and fine sand, hidden beneath the wreck.

The box waited where he’d dropped it, still gaping. He stumbled toward it, the suit sucking at his thighs. The water inside reached his knees.

He sealed the lid, the latch faint against his gloves, cord drawn tight as a prayer.

Then he tugged the mainline twice. A call for light, for air, for home.

Nothing.

He yanked again. Harder.

Still nothing.

Then the rope jerked taut. Harland’s prize shifted, slid an inch, lifted. His lifeline remained idle. Panic filled his salt logged suit.

He lurched forward and grabbed the crate, desperate, hoping to ride its ascent.

But the moment he took hold, the box stopped. Hung there.

He pulled again. The line gave and they dropped back into the sand with a thud that echoed through his bones.

The gauge on his breastplate twitched violently. The needle stuttered, confused. The air came uneven now, each breath louder, shallower, a harsh, cloth-choked gasp.

His chest tightened.

Then something stirred.

At the far wall of the cliff hollow. An undulation. Silk in brine. Pale. Slow.

It turned.

Hair drifted like kelp. A hand reached out. Sarah.

Her face, unchanged. Her dress. The small bow she’d worn the day he left. The day the fever took her while he salvaged someone else’s treasure.

He forgot the leak. Forgot the rope. Forgot the pump.

He stepped forward.

Grit swelled around his boots. The water inside his suit reached his thighs. Heavy. Numbing.

She looked back once. Beckoned.

Then slipped into a cleft in the rock.

He followed. The hose and tether dragged behind like broken wings.

The stone passage narrowed tightly. Williams was careful so that the suit didn’t catch.

A moment later, beyond the confines of the passage. The walls widened for him. Welcoming. 

The lamp swung radiance across the stone, and the rock sighed faintly, laced with veins of something bright and living.

The world held still for a heartbeat.

Then, from somewhere behind him, the hose went tight. A violent tug snapped his head back. The brass collar shrieked against its bolts with a long, metallic groan that echoed through the helmet. He stumbled. The next pull was stronger, deliberate, something below or behind the cliff yanking the air line like it meant to claim him.

He twisted, eyes searching the swirl. The lamp caught nothing but black. Then—

Snap.

The hose went silent.

A silence that rang.

He reached for the main rope, the lifeline. It too drew taut then jerked free. The end whipped into the dark, swallowed without trace.

“No! No!” The cry barely shaped in the stale air.

The helmet pressure dropped. Acrid air entombed him for a moment. The hiss thinned to a wheeze.

He turned back, staggering toward the distant, impossible glow. The incline steepened beneath him, sand giving way to smooth rock. His legs faltered. His chest heaved. He broke into the chamber, the impossible chamber, and saw the reef hole above, a pale illuminated eye of staring down.

He moved toward it, hauling the slack, dead hose behind him.

Then the pulse dimmed.

Something slid through it.

Not Sarah though, this was taller and broader. Its outline pulsed one part smoke, one part steel. It materialized into a thought made slow and heavy.

The current shifted, pushing cold against his skin. The figure grew distinct now with black, traced in silver, lit from within like moonlight on a blade. It hovered above the stone floor, head tilted, faceless.

The broken hose floated toward it.

It reached.

Its hand (if that’s what it was) touched the severed line. The hiss of air stopped. A floral perfume surrounded him as his air flowed freely again.

Then, with reverence, it moved to the crate. Lifted it and set it atop the cave’s hill.

The lid opened slowly on its own.

The incline rose beneath his feet. Step by step, the weight of the deep peeled away.

The leak slowed. Then stopped.

Ahead, the blues brightened from green to silver. A radiance that felt like a whispered release.

Sarah vanished into it.

He reached.

The next inhale filled his chest with warmth. Clean. Dry. Alive.

He broke the surface helmet first.

Daylight. Blinding. Real.

He fumbled for the wingnuts, spun them hard. One gave. Then another. He tore the helmet off like it was choking him.

Air. Real air. No ship. No shouts. No pump.

Just wind. Grass.

Williams knelt there, trembling, lungs dragging air like he’d been buried. Eyes shut against the sun. He drew another. And another.

Then opened his eyes.

The horizon shimmered in heat. The world was silent.

The box sat before him now. Its lid hung open at the top of the rise he’d just climbed. He hesitated to reach out, almost afraid to touch it. 

The gold leaf caught the radiance.

It glinted.

It beckoned. Quiet. Impossible. Alive.

Williams stared.

The figure beside it glowed with liquid shadow. Its surface caught the reef-light and the pale sand, but gave back nothing. No reflection. No face. Just depth. Deeper than night. Older than time.

He took a step toward it.

The suit groaned. The water inside had settled low during the climb, but now, on solid ground, it dragged at his hips and thighs, a sloshing reminder of just how much sea he’d carried with him. He staggered slightly, lungs seizing.

The crate pulsed with something deeper than radiance. A rhythm. A presence.

The figure tilted its head again. Invitation. Or offering.

Williams stared. Searched for himself in that mirrored void. Searched for Sarah.

Nothing answered.

Only the abyss.

Only the deep.

The chamber stilled. Even the sediment hushed. The hum of the vessel and the faint internal glow of the thing were all that remained.

His heart stammered against the weight. He stepped forward—

Harland had said not to linger.

But how could he not?

Then it shifted.

The blackness writhed.

And Sarah stood there.

Or what was left of her.

Her shape. Her bow. Her eyes. But her skin sagged loose and gray, mottled with things that had no place in memory. Her hair floated like kelp. Her mouth smiled. Too wide.

He didn’t scream. There was no air.

Then she dissolved.

And the thing stood alone once more.

The voice came from within. 

Soft. Gentle.

“Come home with me, Daddy.”

Sarah’s voice.

Not remembered, but present.

The word home pulled at him like a tide on an anchor chain.

The reef-light flickered.

He tried to speak. Nothing came. The pump was dead. Only the pulse of his heart, the cold water, the voice.

“Come home…”

The edges faded. The reef. The stone. Even the box bled into blur. All that remained was brilliance.

It grew.

The thing opened to it, silhouette fading, shape vanishing into reverent bloom. The silver turned to white with hunger.

He saw her again. Her hair. Her hand.

And others behind her. Faces, infinite, blurred.

He reached.

His arm trembled.

The voice, close as his own thoughts, spoke once more:

“I’ve been waiting for you. There is another way.”

The radiance swallowed him whole, in turquoise waves and pearly opalescence, like the sea reclaiming its own.

No sound. No weight.

Just murmuring color. 

Until.

Nothing.

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Look for Before the Hunger: Blood, Salt, Dust at Marissa’s Bookstore and Gifts

If you are out shopping around and have that need for books, go take a look at Marissa’s Books and Gifts in Salt Lake City Utah and while you’re there, grab a copy of my book, Before the Hunger: Blood, Salt, Dust from their local authors section (it is back by the religion area, go figure, haha!).

This collection was shaped by an ache, the strange beauty of what remains in absence, and the terror it may bring.

Before the Hunger is In Marissa's now!

Or, you can buy it online here –

https://www.lulu.com/shop/jared-conger/before-the-hunger-blood-salt-dust/paperback/product-rm62npw.html

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Merch store is open!

A couple of limited release t-shirts are available now as well as a hoodie and some stickers. On demand printing so that I don’t have to sit on a bunch of boxes at home but I will have some extra’s around in case you don’t want to pay for shipping and live nearby.

Cheers!

>> Start shopping <<

Buy merch from Jared Ray Conger
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